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Masking New in 2.0

Segment Layers (New in 2.0)

Type a subject in plain language — "person," "red jacket," "the dog" — and a Segment layer tracks it across every frame of the clip in a single pass, instead of guessing frame by frame. It lives on the same layer stack as Color and Mask layers, so its matte grades, folds, refines, and exports like anything else.

A Segment layer holds one or more text-prompted subjects. Each is tracked together, in one temporal pass over the whole clip — not detected independently frame by frame — which is what keeps a matte from jumping to a different guess every time a subject moves or the framing changes. If a subject is briefly lost and reappears, Transduce checks how far the new detection is from where it was last seen before trusting it again, rather than silently locking onto whatever's closest.

Multiple subjects on one layer combine Add or Subtract, the same fold logic geometric shapes already use — union coverage, or punch a hole. The resulting matte is remapped onto your project's actual output frame the same way the graded picture itself is scaled and cropped, so a Segment layer's isolation lines up pixel-for-pixel with the shot, not just with the source file's native size.

Under the hood, subject detection and tracking is built on Meta's Segment Anything Model 3 (SAM 3).

How a Segment layer works

Aspect Behaviour
PromptingPlain-language subject names — no manual keyframing or box-drawing to start.
TrackingOne pass across the whole clip, not independent per-frame detection — subjects stay identified as they move.
Multiple subjectsSeveral prompts per layer, each combined Add or Subtract.
Re-acquisition guardA subject that reappears far from its last known position is treated as untrusted rather than accepted outright.
RefinementDespeckle, hole fill, feather, expand/contract, intensity — the same matte controls used everywhere else in Transduce.
Output-correct geometryRemapped to match the project's actual resize/crop, not just the source file's native resolution.

What it's for

A fast, clean starting matte for selective grading — most useful exactly where colour qualifiers struggle: motion blur, inconsistent lighting, and the messier framing that comes with phone and AI-generated footage.

Selective grading without hand rotoscoping Isolate a subject to push or pull separately from the background, without drawing a mask by hand first.
Difficult phone/AI footage Subjects with soft edges, inconsistent lighting, or motion that a colour qualifier alone tends to spill on.
Feeds straight into Alpha Turn Alpha on for the layer and the same tracked matte becomes a deliverable channel — see Alpha Channel.
Combine with a qualifier or shape Add or Subtract a Segment layer's matte against qualifiers and geometric shapes on the same stack for a tighter selection.

Related

Text-promptedNo manual keyframing to start a subject.
Whole-clip trackingOne pass, not independent per-frame guesses.
Add / SubtractMultiple subjects fold like any other mask.
Same finishing toolsFeather, alpha, refinement — no separate pipeline.

Segment layers use Meta's Segment Anything Model 3 (SAM 3) for subject detection and tracking. Transduce is not affiliated with, endorsed by, or a partner of Meta.

Say the subject. Get a tracked matte.

Text-prompted, whole-clip tracking, on the same layer stack as everything else you grade.

Download for macOS (Apple Silicon) Available for macOS on Apple Silicon only. Windows & Linux coming soon.